Esma Oniani's creative and personal worldview is based on an empirical exploration of pain, sadness, and vanity. In different languages, the word "worldview" presents peculiar linguistic transformations. The Germans, for example, express this idea with the term "Weltschmerz" (world pain), which refers to perceiving the world through spiritual pain. In Oniani’s creative work prevail epistemological beginnings based on cognition and ontological being. Man, as the central value in the world, shapes its cognitive existence. This principle is revealed in the anthropocentrism of Oniani’s poetry and painting, where every color, and everything – painting and word – are grounded in human emotions and expressiveness.

Martvili is one of the most sacred sites in Georgia. According to tradition, St Andrew the Apostle cut down an oak worshiped by the pagans on this site and, after they had converted to Christianity, founded a church, the altar of which stood on the roots of the felled oak. The tradition is reflected in the ancient name of the place, Chkondidi, meaning “big oak.”

Renowned for his daring approach to filmmaking, Mikhail Kalatozov redefined the possibilities of visual storytelling, leaving an ineradicable mark in the history of cinema. The techniques he used back in the 1950s and 60s, with his longtime collaborator, cinematographer Sergey Urusevsky, are unique; they stand out, even by today’s standards. His cinematic style is marked by several distinct characteristics that set his work apart and continue to captivate audiences decades after their release.